Is it hot in here or is it the Dusty-Crete pieces coming out of the shops of previous attendees of the World Famous Dusty-Crete Workshops? It's only going to get hotter now that the next Dusty-Crete Workshop taught by Dusty Baker has been scheduled for June 8-10, 2017. Brandon Gore will be teaching the industry-leading 2.5 Day Fabric-Forming Sink + GFRC Workshop, June 5-7, 2017. For those industrious creative souls that wish to attend both, we're offering a special reduced rate! Join us in Burns, TN - bring your shades, sunscreen, and clothes you don't mind getting dirty!
Concrete is hard in the literal sense; there's a reason they don't make mattresses from it. Concrete is hard in the sense that to do it well takes a lot of skill, practice, patience, and a dash of luck. I have been wanting to put this phrase on a t-shirt for many years, and it is finally happening. The only way to procure one of these beauties is to attend the May 2017 Workshops being held in Angels Camp, CA! We hope to see you there!
The stars have aligned and we just scheduled two brand new workshops to be held at Creative Crete in Angels Camp, CA, May 1-6, 2017! Brandon Gore will be teaching a class that goes in-depth on his most current techniques, including post-tensioning concrete, while Jon Schuler will be conducting a workshop on creating a multitude of finishes with the most basic of tools and techniques. Two things are guaranteed; 1. These classes are going to be a ton of fun, and 2. They are going to fill up fast! If you want to attend both workshops at a special reduced rate, check out the All-In Workshop Package. See you in California!
We have received many emails over the last few weeks asking when the next workshops will be held. This news is hot off the presses - we're holding two workshops this February in Burns, Tennessee! Our gold-standard 2.5 Day Fabric-Forming Sink + GRC Workshop is slated for February 20-22, 2017, followed up by the world famous Dusty-Crete Workshop on February 23-25, 2017. We anticipate most participants will want to attend both workshops, so we have set aside a select number of tickets at a reduced price. If you have been dreaming about concrete, or admiring dreamy concrete, seize the moment and secure your ticket before they are gone! See you in Tennessee!
In preparation for the move to Arkansas I have begun emptying out cabinets. In the back of a cabinet I found a treasure trove of our training DVD's that we filmed and released nearly a decade ago. I stopped selling them many years back as our processes had evolved, but there is still a lot of good information and tips & tricks contained on them. Originally sold for $80-$150 each, I am wholesaling these out for just $25 each until they are gone! Speaking of gone, the GFRC DVD is SOLD OUT, so don't wait too long on securing your copy of the Fabric-Forming Sink Mould DVD and the Advanced Sink Design using Stock Sink Moulds DVD!
As of the writing of this blog post it isn't cold outside quite yet, but the leaves are starting to change and Fall is cresting the horizon. It will be cold and rainy soon, but you can beat the dreary days of winter by taking a jet plane over to sunny Arizona for some inspiring workshops in the desert! The dates have been set:
2.5 Day Fabric-Forming + GFRC Workshop / November 2nd, 2016 - November 4th, 2016
1.5 Day Furniture Design Workshop / November 5th, 2016 - November 6th, 2015
The All-In Workshop Package / November 2nd, 2016 - November 6th, 2016
Dusty Baker will be holding the Dusty-Crete Workshop at his studio in Burns, Tennessee. Several parties have expressed interest in attending a Tennessee workshop, so expect this training event to fill-up quickly! The dates for his class are:
2.5 Day Dusty-Crete Workshop / November 10th, 2016 - November 12th, 2016
We are a week and a half out from the Furniture Design Workshop, which is plenty of time to book your travel accommodations (click here for travel info). The Furniture Design Workshop, to be held July 30th and 31st, is a crash course on design considerations when developing a piece of furniture. Great design is everything! Original design is everything! Book your flight and spend a day and a half exploring and experimenting with new techniques and a fresh approach to design.
We always encourage folks to register for workshops sooner than later as they inevitably sell out. The Fabric-Forming + GFRC Workshop and the All-In Workshop are both officially SOLD OUT! The Dusty-Crete Workshop and Furniture Design Workshop both have limited availability, so if you are interested in those now is the time to enroll. We hope to see you the last week of July!
Meet the EXAGONI Concrete Tile Mold - this mold creates hexagonal concrete tiles that are smooth and well suited for flooring applications as well as for use in showers, accent walls, and backsplashes!
Concrete Tile is a super hot product at the moment, and how could it not be, concrete is real, it's organic, it has character. The problem for DIY Concrete Enthusiasts is sourcing high-quality, well-designed molds. We just released three new concrete tile mold designs that will add drama, sophistication, and value to any space! Visit our online store to learn more or purchase.
Up until now the molds for making high-end 3-dimensional concrete wall tile were out of reach of most DIY'ers and concrete crafters. That is, until now! Our Geometric Concrete Tile Molds are now available via our online store. Check them out and order yours today!
We announced the July workshops exactly a week ago today, and in that short amount of time they are already more than half filled - 53% to be exact! In more than a decade of teaching sold-out workshops we've never had classes fill up this quickly, it is unprecedented!
If you are interested in learning the following:
- Concrete Sinks
- Concrete Countertops
- Concrete Tile
- Concrete Furniture
- Rustic Concrete Finishes
- Furniture Design
Then don't wait, enroll in your workshop(s) today! This will be the last training event that we conduct in Phoenix, we hope to see you there!
I have been hand-crafting high-end concrete sinks, countertops and furniture for over a decade, and still to this day every morning when I de-mold a piece it is like Christmas morning. It doesn't matter if it is a project where I am making 1 of something or 50, the excitement is the same. That's a great feeling that all humans should experience, and our training can give you the skills and confidence required to tackle projects for your home or business. We have classes that teach:
This Christmas give yourself or your significant other the gift of knowledge. CLICK HERE to learn more about our "All-In Workshop Package." We hope to see you in a January Class!
With the Maker Movement picking up steam we have seen a tremendous increase in requests for dates for the next 1.5 Day Furniture Design Workshop. We have set it for September 26th-27th, 2015. This is the weekend after our 2.5 Day Fabric-Forming + GFRC Workshop. A popular request is to run these classes back-to-back to save on travel expenses, so here is your opportunity to attend both in a little more than a weeks time!
Here are a few photos from the June Furniture Design Workshop:
Sometimes we get a class of characters - that was the case with the June 2015 Fabric-Forming + GFRC Sink Workshop. It was one of the most fun classes I have taught because every attendee was engaged, happy and enjoyed getting to know their fellow concrete brethren. I hope we get to cross paths with these guys again!
Today we wrapped up the last 2.5 Day Fabric-Forming + GFRC Workshop for 2014, and I must say, it was a fine class. The attendees came up with great designs, and did an excellent job executing them. We're honored that they chose Concrete Design School, and we look forward to their continued success.
Concrete is an amazing material. Unlike other artisan materials, concrete is created by the craftsman. What do I mean by this? Think about it - all other materials are equal in the hands of the expert, they are all preexisting. Wood is wood, metal is metal, Corian™ is Corian™, granite is granite, but concrete alone is a material that is made, and each person makes it slightly differently. This is really quite amazing and often times maddening, but there is beauty and discovery in chaos.
Unlike other slab/sheet products (wood, metal, stone, etc.), concrete is amorphous. This is the genesis of limitless design, which is a blessing and a curse. I have said it before and I'll say it again, "just because you can doesn't mean you should." With great power comes great responsibility, and it is the duty of the concrete craftsman to exercise design restraint.
Design is the primary purpose for which a client purchases a concrete product. Sure, the imperfect natural aesthetic is great, but a blob of concrete on the ground isn't alluring. It's the shape you coax the concrete into that gives it value, meaning and desirability.
Our name, 'Concrete Design School' is not by accident. The elements and processes of great design are a key focus of our training. There is a method to the madness, and we'll share our insights with you.
The following is an essay written by Jeremy French in January of 2012. It was in response to the state of the union of the concrete industry, and it is even more relevant 2 years later. I highly urge you to read this in its entirety, and take to heart the messages.
- Defending Mediocrity -
Over the past few months I have been shocked on a few occasions about how quickly mediocrity is defended in our community. When discussing the values around what we make, whether related to what the cost should be or how intellectual property is valued or how someone's designs and visions are perceived and valued. It doesn't take long before the trumpet of 'it's not a big deal' starts sounding off.
"Value has value only if its value is valued."- Bryan Dyson, former CEO of Coke.
It doesn't bother me that there are different opinions, or different markets, or different approaches. It does bother me when we defend our right to devalue what we do, the things we make, the ideas we have. Why do we need to defend mediocrity? So everyone can feel comfortable, so you can feel like everyone should be able to do this, because we really don't value what we do, WTF?
Back when this industry was in it's early days, information was painfully difficult to come by. Information was naturally valued because of the amount of effort that it took to get it. If you wanted to figure out how to do something, you had to go to the local hardware store, buy $500 worth of crap that you would never use again, spend days trying to make that $500 worth of crap do what you had spent countless nights obsessing about, fail miserably for weeks, spend money you didn't have, fail some more, and then finally hit a stroke of luck thousands of dollars and weeks into your endeavor just so could successfully glue a little BS trinket into someones vanity. Now you can hop on a forum and you will have 20 people fight for the right to tell you how they had figured out how to make something work. You spent 5$ on some Starbucks and some tissues and you have your answer. It is no wonder that so many don't see REAL value in that information.
Am I saying that this format of exchanging information is bad? Yes and no. If the information isn't valued, if the elders of this medium aren't given respect on simple principle, if people start to feel like they should magically be a professional overnight, if people think this should be given them as a matter of birth rite, etc etc, then yes this format is going to die, but not before it wrecks the value of this medium.
On the other hand, if this becomes a tool to genuinely elevate the medium, as well as the business of the medium, then it has potential to create something real for us to hang our hats on. In order for this to happen, there has to be a principle by which we all stand, it must be paramount to all other opinions, and it must be defended above all else. That principle is about protecting and elevating value for the medium. It means that we don't defend the right to be mediocre, or morally ambiguous, or the right to short sell ourselves for a quick dollar at the expense of the long term viability of our chosen profession. It means that the next time someone says "I can only charge 24$ per foot because I live in the arctic circle, and I have only made a few tiles in my igloo." we don't say, "Yeah buddy, you are right, if that is all you can get then that must be what it is worth." We say instead, "here are some options you have to charge a fair value for your efforts", or "get a job shoveling snow, and stop making it more difficult for those who have paid their dues."
In regards to the Value (cost) of what we do.
What you charge in the Arctic Circle has an impact on what I can charge in Georgia. You can say it isn't so, go ahead and defend your right to mediocrity, or you can see that in the age of the internet all you have to do to see what the price is in the Arctic Circle is a simple Google search. The next thing you know, a seed is planted for a potential client, and then my job of selling them on the idea of the real value of what we make has been made exponentially more difficult. Simple cues play a tremendous role in perceived value, and once those simple ideas are planted, then it is very difficult to uproot that idea.
The next time we are discussing this, perhaps we can collectively agree that what we all want is to be able to charge more for what we do. Instead of fighting for the right to charge $50 per foot, maybe there can be a more thoughtful discussion on methods for being able to charge $150 per foot. Not everyone can come out of the gates making work of the quality that deserves that price, but it can certainly be a goal to get there, instead of having the right to stay mediocre.
Am I saying that everyone should charge $150 per foot, not necessarily. I charge as little as $35 per foot in certain situations (a price that means something eventually retails at $135 per foot). The idea is that we understand how our decisions play a role in the perceived value of the product as a whole. It is important that we value our time, our skills, our intellectual property, our craft. The final dollar amount will be different for everyone, but the value should be equally sacred no matter where you are.
In regards to the value of Intellectual Property.
Understanding is not free. Intellectual property (IP) is what drives this thing forward. How someone creates a mold, or casts a piece, or makes a color is something that cost them time and money to figure out. You want to elevate the industry? You don't elevate the industry by asking someone to give you that information for free. You don't elevate by saying the only value of your IP is in you giving it to me for free so my life is easier. If you want to elevate, then you pay the price, you offer money or respect or whateverthefuck gives value to IP. If you give the people who are coming up with solutions the tools they need (money) for their efforts, then they will be supported in coming up with more solutions making your life and craft even better.
Intellectual Property is the most valuable thing in the new world economy. It is what our entire economy will be built on in the future. Don't undervalue this most precious resource.
In regards to Design.
A finished concept is a reflection of a process. What makes a beautiful thing beautiful is the story behind it. If the process is not there, then the story is not there, then the piece is empty. That is a simple version of why you don't go out of your way to publicly copy someone else's creation, it is not yours and it is empty. I feel like it is a disregard for the true beauty of a piece to try and recreate it. It is a disrespectful thing because it disregards the complexity of the process of creation. It is Milli Vanilli. We need less Milli Vanilli and more Miles Davis.
When Picasso says that good artists copy, but great artists steal, he was referring to the spirit of a piece. Great artists take the process that drove a concept and take it to it's next level in the progression. The story then becomes more complete, and the craft is elevated. The finished piece will resemble the original in little or no ways to outward appearance, but they will be tied in their spirit.
The great Jazz of the 50's and 60's had a creative movement that is rarely rivaled. People took a movement or a phrase and took it to the next level. Sometimes phrases from one guys work were used, but more often than not it was done in a way that said "I heard you man, that was worth repeating so that I could follow it with this thought." They were talking to each other, they were telling a story, and they were respecting each other. If someone lazily repeated something because they weren't talented enough to tell their own story, or they we just too lazy, they weren't given any respect.
Come up with your own stuff people! Don't go defending the right to be lazy or unoriginal. Fight to push the creativity along, it is what makes our medium special. If you are not any good at design, that is not a problem but a solution in disguise. Go find someone that is good with design, get involved with them, explain your medium, develop a relationship because that what good businesses are built on. I am not saying that being original is easy, in fact sometimes it is painfully difficult. Something being difficult is not an excuse to just not do it. Don't defend being mediocre in the creative process just because it is hard. Defend creativity, it is sacred. Defend what is good with what we do, stop making excuses for what is not good and what is lazy and near sighted.
We set the tone for how this thing moves forward. If we defend and nurture mediocrity, then we sow mediocrity. If we say that we want to see what is elevated, what is truly creative and valuable, then that is what will come of this community. Stop protecting people from hurt feelings and silly fears. Push the new guys to get better at what they do, to tell their own story, to bring something real to the party instead of something they are regurgitating from a discussion that is 2 years old for which they have no real experience. Stop coddling each other and start pushing for something that is good and real. If we say, "yeah we want to see your pictures of how you hacked someone else's gig", then that is where we set the bar. Why set the bar at the level of mediocrity and stand for what are freshman chops? Why stand for crap? Why not say "we want to see you do something special, or just keep it to yourself".
If you are new, take the cotton out of your ears and put it in your mouth. Develop your own voice before you start talking all the time. Miles Davis said to Coltrane "Man, you have to cut your solo off". Coltrane said "I just don't know how to end the phrase". Miles told him "You take the F*cking horn out of your mouth." Until you have something good to bring to the party, take the horn out of your mouth. Am I saying this because I don't care, or I don't think you are valuable? Not really. I am saying if you are so busy talking, then you may miss the quiet moment of inspiration that puts you on the path of something brilliant.
This can be amazing guys and gals. It can also be a circle jerk. What's it going to be?
Where are we setting the bar?
Can we get over this need to make everyone feel special and get on with protecting the interests of those who are putting their soul on the line? Can we push the crap to the side and put on the pedestal real creativity? Can we stop defending mediocrity and push ourselves to something better?
- Jeremy French
Erin brings over a decade of professional selling, project management and customer service experience to Concrete Design School. Currently employed as the Client Relationship and Project Director for Gore Design Co. and Hard Goods, she previously spent 7 years as a Design Consultant and Showroom Manager for a high-end, award-winning tile and architectural features showroom in Scottsdale, Arizona. She has worked extensively with architects, designers and end-users on multi-million dollar commercial and residential projects.
During your workshop at Concrete Design School she is available to discuss proven methods to pre-qualify and meet the needs of today's consumer, strategies to overcome price objections, tactics to prospect for clients and how to get your products specified on jobs.
I grew up watching John Wayne westerns with my grandfather. The characters he portrayed always resonated with me - they never minced words, and the one-liners were epic. A quote often attributed to John Wayne is, “life is hard - it’s harder if you’re stupid.” The same could be said of concrete. Concrete is hard, literally and figuratively, and it is most certainly harder if you’re stupid.
What do we mean by 'stupid.' For us, this refers to ignoring best practices; not precisely measuring ingredients, failing to cure properly, mishandling concrete during transport or install, using sealers destined to fail, not properly applying first-rate sealers, underbidding projects, over-promising expectations, and so on. We were probably the most stupid concrete company in our first years of business. We ignored what little we knew and went our own way, which only led to misery.
Luckily we learned from our mistakes, and so can you. It is our past pain that led to our successes because through suffering came understanding. Our training is derived from the lessons learned from doing things incorrectly and working through the issues until they were resolved. It is obtained through real-world experience. History does not have to repeat itself, you can shorten your learning curve, frustration, expense and heartache by attending a class at Concrete Design School.